Close Menu
The Washington Newsday
    Trending
    • From Antarctica to the Alps, British Women Reclaim Adventure After Crisis
    • China’s Power Tightens as Military Purge Meets Dissent Warnings
    • Point Suits Neither Side as Albion Survive, Stoke Stall
    • Appeals Court Redraws Detention Rules for Immigrants in the South
    • Super Bowl Halftime Becomes a Proxy Culture War
    • A Tabloid Reckoning Returns as Elton John Case Reopens on Stage
    • Super Bowl LX Blends Sport, Politics, and a Long Memory
    • Shinedown Pulls Out of Rock the Country Festival After Fan Backlash
    Friday, February 13
    Follow The Washington Newsday on Google News
    The Washington Newsday
    • News
      • World
    • Diplomacy
    • Science
    • Technology
    • Health
    • Entertainment
    • Finance
    • Sports
    The Washington Newsday
    Home»Culture & Entertainment»Joe Keery’s “End of Beginning” Surges to Global Success Post-“Stranger Things” Finale
    Culture & Entertainment

    Joe Keery’s “End of Beginning” Surges to Global Success Post-“Stranger Things” Finale

    Andrew CollinsBy Andrew Collins24/01/2026No Comments3 Mins Read
    Twitter LinkedIn Reddit Facebook Email

    Joe Keery, the actor best known for his role as Steve Harrington in Netflix’s “Stranger Things,” is experiencing a surprising new chapter in his career as his single “End of Beginning” climbs global music charts. Released under his musical moniker Djo, the track has topped charts in multiple countries, including the UK, Sweden, Italy, Greece, and Indonesia, despite its original release back in 2022. The song’s rapid rise has taken Keery by surprise, especially considering that it had not initially made waves when it first debuted.

    Keery, now 33, admitted in a recent interview on The Graham Norton Show that the song’s unexpected popularity left him feeling “shocked and confused.” The song’s viral success seems to have occurred in the wake of the emotional finale of “Stranger Things,” which aired on December 31, 2025. The series’ conclusion marked the end of an era for both fans and the cast, including Keery, who described the experience as “bittersweet.” He believes the themes of growing up and saying goodbye to childhood in the series resonated with audiences, possibly fueling interest in his music as well.

    A New Creative Era for Keery

    “End of Beginning” has not only broken streaming records on platforms like Spotify but also earned a spot in the exclusive “2 billion club,” surpassing two billion streams worldwide. Keery has credited much of this success to his decision to invest his earnings from “Stranger Things” into his music career, allowing him to remain an independent artist free from the constraints of major labels. This autonomy has afforded him the freedom to experiment with diverse musical genres, including the baroque rock style featured in the track.

    The song’s success is even more remarkable given that it wasn’t part of the “Stranger Things” soundtrack. Keery wrote and recorded “End of Beginning” during breaks between his scenes on set, using the quiet moments to reflect on gratitude for the people in his life. “The song then became about gratitude for all those people in my life,” he shared. His dedication to his craft has been influenced by co-star Winona Ryder, who encouraged him to pursue his musical passion and take risks beyond acting.

    As Keery looks ahead, he’s preparing to release new music, focusing on emotional authenticity rather than chasing commercial success. He emphasized that he wants his music to make listeners feel something real, staying true to his artistic vision. With “End of Beginning” continuing to gain momentum, Keery’s journey from the “Upside Down” to the top of the music charts showcases his growth as both an artist and an individual.

    The success of “End of Beginning” also underscores a broader trend in the entertainment industry, where actors like Keery are increasingly blurring the lines between acting and music. While many actors have dabbled in music, few have achieved the level of crossover success that Keery now enjoys. His unique path demonstrates the potential for creative reinvention and risk-taking in the modern entertainment landscape.

    While “Stranger Things” may be over, Joe Keery’s rise in music suggests that his creative journey is far from finished. As he continues to innovate and surprise audiences, Keery’s musical renaissance is one fans will be following closely in the years to come.

    Share. Twitter LinkedIn Email
    Avatar photo
    Andrew Collins
    • Website

    Andrew Collins is a staff writer at The Washington Newsday, covering entertainment, sports, finance, and general news. He focuses on delivering clear and engaging coverage of trending topics, major events, and everyday stories that matter to readers.

    Related Posts

    From Antarctica to the Alps, British Women Reclaim Adventure After Crisis

    08/02/2026

    Super Bowl Halftime Becomes a Proxy Culture War

    07/02/2026

    A Tabloid Reckoning Returns as Elton John Case Reopens on Stage

    07/02/2026
    Add A Comment
    Leave A Reply Cancel Reply

    You must be logged in to post a comment.

    The Washington Newsday Latest News

    AI and Cost Pressures Transform Healthcare and Senior Living

    06/02/2026

    Wave of Cyber Breaches Hits Finance, Health and Media Firms

    06/02/2026

    Wave of Cyber Breaches Exposes Millions Across Global Platforms

    06/02/2026

    FBI Unveils Winter SHIELD Campaign as Cyber Risks Escalate

    06/02/2026

    SK Telecom Takes Board Seat at FIDO Alliance

    06/02/2026

    Massive Trial Review Challenges Longstanding Fears Over Statin Side Effects

    06/02/2026

    TrumpRx Launch Raises New Questions About Who Really Benefits

    06/02/2026

    Claude Opus 4.6 Deepens AI Arms Race and Jolts Markets

    05/02/2026

    Fallout Countdown Ends Quietly, Leaving Remaster Hopes Unmet

    04/02/2026

    AI Search Reshapes Who Gets Chosen, Not Just Who Gets Clicks

    04/02/2026
    • Home
    • About Us
    • Contact
    • Privacy Policy
    • Terms of Service
    © 2026 All Rights Reserved. The information on The Washington Newsday may not be published, broadcast, rewritten, or redistributed without approval from the Washington Newsday Team.

    Type above and press Enter to search. Press Esc to cancel.